MAVENMOB is a visual artist.

A nintendo generation holdout, raised on a punk and hacker ethos, mashing together underground computer art, video games, social issues and psychological shit with the discovery of truth, love, or what J. Krishnamurti calls "the awakening of intelligence."

Creating various art series with digital art, animations, paintings, sculptures, and installations.



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FEATURED WORK
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CURRENT ART SERIES
Slide Background
01. Slide Background
Every slide includes a background, which can be a picture or solid color.
Step 1

To change the background click on the label bar and in the layer window select the style tab.

Step 2

Choose a source from the background top tab then upload an image or pick a background color.

Next Slide



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Out in the wild



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EXPLORE ALL ART
Digital Art
Animations
Art Series
Sculptures
Paintings
Installations
Red and black vertical stripes bend inward to form a heart shape, with the center appearing dark and exposed. The lines look as if they’re breaking open toward the middle, suggesting layers being split apart to reveal a deeper, more vulnerable core.
True Vulnerability
2022/textmode/ansi
Moonlit ANSI artwork showing a bright full moon reflecting across dark water, the light breaking apart as it reaches the shore. The fragmented reflection and dim sky evoke the feeling of a day collapsing without warning, capturing the sudden emotional drop associated with depression.
Day Begins, Collapsing Without Warning
2022/textmode/ansi
A digital portrait made from fractured green scanlines and horizontal bars. The artist’s face appears inside a distorted signal, looking outward through the interference. Yellow and purple glitches cut across the grid, creating the effect of a portrait caught in a digital yesterday and reaching toward the viewer today.
Portrait Caught in a Digital Yesterday
2022/textmode/ansi
A textmode scene showing a small smiling face on one platform and a heart on another, separated by a gap in the dark. A study in how awareness disrupts feeling, the image suggests that the instant we recognize love, we also distance ourselves from it. The simplicity makes the emotional depth sharper — connection, hesitation, and the space between them expressed with almost nothing at all. It echoes the idea that once we become conscious of love, the self steps in and the it collapses, turning love into an idea we observe rather than inhabit — and in that moment, it ceases to be love.
The Moment We're Conscious We Love, It Ceases To Be Love
2022/textmode/ansi
You're So Pretty The Way You Are
2022/pixel art animation
Digital Love
2022/pixel art animation
A CGA‑colored pixel‑art scene from the game Barbarian, showing two fighters boasting about future technological realism while still preparing to kill each other. The contrast exposes the core message: our graphics evolve, but we don’t — humanity remains interactively primitive, repeating the same violence we’ve carried for thousands of years.
Technologically advanced. Interactively primitive.
2022/pixel art
Heart Maze
2021/pixel art animation
Dive and The Possibility of Discovery
2021/pixel art animation
A block of pixelated text displaying the words “something in the way,” echoing the somber tone of the Nirvana song. The edges of the letters appear subtly fractured, as if the pixels themselves respond to the artist’s attempt to feel the emotion behind the lyric. The piece carries a quiet tension, asking “I wonder if you really get it,” and hinting at an unseen obstacle — something in the way that remains felt but never fully revealed.
Feeling Font Experiment 1
2021/pixel art
A manifesto in bright SDK‑style colors using a retro Codepage 437 IBM font urges anyone who creates through computers to absorb and act from their inner song.
Programmer's Manifesto
2021/pixel art
A pixel‑art portrait of Ian Curtis fills the frame, his bright blue eyes set within a mosaic of vivid color blocks. The face is rendered in fragmented pixels of pink, purple, yellow, brown, and beige, giving it a stylized, abstract look. The pixelation creates a fractured, expressive quality, emphasizing emotion through sharp contrasts and digital texture.
Pixel Ian
2021/pixel art
A glowing circular form floats in darkness, built from words taken directly from a memory and cycling in a continuous loop. Muted colors ripple across the surface while a thin red strand drops from the center, giving the image a quiet sense of repetition — a memory caught turning over itself again and again.
Endless Loop - Images From The Memory Stream
2021/emergent custom-coded digital artwork
Stay on Purpose, Motherfucker
2021/pixel art animation
A pixel‑art homage to Deccan art of the 1500–1700s, showing a flowing dance that sets translucent fabrics into gentle motion, rendered in muted colors that echo India’s traditions. The scene carries a quiet sense of ancestry, as if the artist feels his heritage through each deliberate pixel.
Deccan Indian Art Inspired
2021/pixel art
A 1‑bit black‑and‑white pixel artwork inspired by the cover of The Clash’s debut album, showing a blocky, pixel‑reduced figure striking a punk‑charged pose. The image uses stark binary contrast to capture raw, rebellious energy through minimalist pixel simplicity.
Pixel Clash
2021/pixel art
Black‑and‑white pixel portrait of Saadat Hasan Manto, his face emerging from minimal square pixels that explore depth through simplicity and stark contrast.
Pixel Manto
2020/pixel art
A red, symmetrical wave burst spreads across a black background, forming a sharp pixel‑art pattern that looks like memory energy erupting from the mind.
Memory Burst - Images From The Memory Stream
2020/emergent custom‑coded digital artwork
Retro green monochrome computer screen displaying the title “The Creation of a Self” with glitch‑like distortion and digital CRT aesthetics.
The Creation of a Self
2020/Art Series
A pixel‑art brain with the amygdala glowing in red, paired with COVID‑style case numbers and global statistics, suggesting the true sickness sits within our own fear center.
Explore The Sickness
2020/pixel art
A bright magenta 8‑bit pixel heart appears on a white background, its lower edge breaking apart into dripping pixel fragments. The melting effect gives the heart a bleeding, deteriorating look.
Bleeding Pixel Heart
2020/pixel art
Two pixel‑formed figures stand facing each other in a sparse gray space, their blocky shapes arranged to suggest an imminent impact. The scene is minimal, built from simple digital forms that highlight the confrontation between the two figures.
What Does a Pixel Feel?
2019/pixel art
A small pixel‑formed baby curls into a fetal pose inside a dark digital void, its faceless body lit by soft grid‑light. The image presents a digital reinterpretation of a classical fetal study, showing the artist as a child of a digital‑first world — a place where circuitry isn’t abstract or uncertain, but built into their blood and upbringing.
Digital Womb
2019/pixel art
A Game Boy–green pulse flickers across a dark pixel grid, shaping itself into a small, bright heart. Beside it, soft blocky text counts “7 BILLION BEATS PER SECOND,” hinting at the quiet possibility that if every heartbeat aligned, something in us — and maybe the world — could finally change.
Because The World Doesn't Change, You Do
2019/pixel art
Pixel art of Yoshi rendered in muted grey tones, blood dripping from his extended red tongue as he moves to devour three small sacred hearts. The hearts hover before him, poised in the moment of recognizing their fate, echoing the emotional coldness of the title No Warmth In Our Hearts.
No Warmth In Our Hearts
2019/pixel art
A pixel‑art child kneels on the ground, their starving body breaking apart into scattered pixels. A vulture stands nearby, waiting to feed, underscoring the stark tension of children sustained by nothing of substance in today’s digital world.
Starving Pixel Children
2019/pixel art
A horizontal sequence of five pixel‑style icons connected by right‑pointing arrows, showing an evolution of weapons: a sword leading to a pen, then a paintbrush, then a guitar, and finally a laptop.
The Sword -> The Laptop
2019/pixel art
A pixel‑art computer terminal with retro interface buttons and colored indicators along the top. The center screen displays bright green block text on a black background reading: “THE MOST RIGHTEOUS HACK IS TO UNDERSTAND YOURSELF AS YOU ARE.” The layout mimics an old-school hacking console, combining digital minimalism with a philosophical message.
Dude dude dude, I gotta talk to you a minute
2019/pixel art
A Sega Master System maze fills the screen, made of bright blue pathways arranged in a tight, angular grid. The word FEAR appears at both the starting point and the ending point within the maze.
Don't Just Pass The Controller
2019/textmode/ansi
A retro computer monitor shows a glitched black screen with distorted white code and a blurred grayscale image resembling Gandhi. The display reads “CONNECTION LOST,” suggesting a dial‑up‑style failure, as if the link to the values he stood for has been disrupted. The gray casing includes a pink label that says “hmm, now what?” with small red and green indicator lights beside it.
Connection Lost. Now What?
2019/pixel art
A pixel‑art rendering of a beige “esc” keyboard key sits against a dark background, its blocky form evoking retro computer hardware and the idea of a small, tangible exit point.
The Escape Key
2019/pixel art
A pixel‑art retro computer monitor displays a blue screen with a red border and a looping diagram connecting the words “PLEASURE” and “PAIN” in yellow text. The layout resembles the simple directional paths of the classic game Snake, reinforcing the idea of a continuous cycle. The monitor includes a small pink sticker reading “WOO!” and colored indicator lights on its frame.
Pleasure Pain Cycle
2019/pixel art
Red background with the phrase “I FEEL FINE,” where the word “FINE” appears to melt downward into black pixel‑like fragments, creating a visual contrast between the calm statement and its deteriorating typography.
I Feel Fine
2019/textmode/ansi
DOS‑gray command screen listing human concepts as system files, the directory maxed out at 0 bytes free, sitting on a CRT monitor like an overloaded human‑machine prompt waiting to be formatted.
Time To Format
2019/pixel art
Pixel‑style CRT monitor centered on a bright blue background, displaying the green text “HUMAN ERROR. REBOOT.” in a simple, blocky digital font.
Human Error. Reboot.
2019/pixel art
The Word Is Not The Thing
2018/Art Series