A CRT-headed Christ emerges from a field of corrupted code, fragmented symbols, and machine noise. Built from the visual language of DOS errors and textmode art, the piece blurs the line between signal and interference, order and disruption. Beneath the apparent chaos, patterns begin to surface. The work finds beauty in the glitch. The figure stands as both beauty and interruption, meaning and anomaly. Within that error there is beauty, and within that beauty there is order once again.